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Jennifer Connelly Nude, Topless Pics, XXX Videos & Bio!

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Most of you will know or will of heard of this beautiful American actress, she is HOT! Here are Jennifer Connelly nude sexy and topless photos, hot sexy XXX videos and you can also read her bio here!

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Here are a few things to know about her:

Jennifer Lynn Connelly (born December 12, 1970) is an American actress who began her career as a child model. She appeared in magazine, newspaper and television advertising before she made her film acting debut in the crime film Once Upon a Time in America (1984).

Connelly continued modelling and acting, starring in a number of films, including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991).

She gained critical acclaim for her work in the science fiction film Dark City (1998) and for playing a drug addict in Darren Aronofsky’s drama Requiem for a Dream (2000).

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In 2002, Connelly won the Academy Award for Best Supporting Actress for portraying Alicia Nash in Ron Howard’s biopic A Beautiful Mind (2001).

Her subsequent credits include the Marvel superhero film Hulk (2003), in which she played Bruce Banner’s love interest Betty Ross, the horror film Dark Water (2005), the drama Blood Diamond (2006), the science fiction film The Day the Earth Stood Still (2008), the romantic comedy He’s Just Not That Into You (2009), and the biopic Creation (2009).

In the 2010s, she took on supporting roles in Aronofsky’s epic film Noah (2014) and in the action film Alita: Battle Angel (2019).

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Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the face of Balenciaga fashion advertisements, as well as for Revlon cosmetics.

In 2012, she was named the first global face of the Shiseido Company. Magazines, including Time, Vanity Fair and Esquire, as well as the Los Angeles Times newspaper, have included her on their lists of the world’s most beautiful women.

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Early life

Connelly was born in Cairo, New York, in the Catskill Mountains. She is the daughter of Ilene, an antique dealer, and Gerard Karl Connelly (1941–2008), a clothing manufacturer.

Her father was Roman Catholic and of Irish and Norwegian descent. Connelly’s mother was Jewish and was educated at a yeshiva, all of Connelly’s maternal great-grandparents were Jewish emigrants from Poland and Russia.

Connelly was raised primarily in Brooklyn Heights, near the Brooklyn Bridge, where she attended Saint Ann’s, a private school specializing in the arts.

Her father suffered from asthma, so the family moved to Woodstock, New York, in 1976 to escape the city smog. Four years later, the family returned to Brooklyn Heights, and Connelly returned to Saint Ann’s School.


After graduating from high school, Connelly went to Yale University in 1988 to study English literature.

Connelly describes herself as a studious student who “wasn’t really concerned with having a social life or sleeping or eating much. I was really nerdy and pretty much stayed in the law-school library, which is open 24 hours, most of the time I wasn’t in class”.

After two years at Yale, Connelly transferred to Stanford University in 1990 to study drama. There, she trained with Roy London, Howard Fine and Harold Guskin.

Encouraged by her parents to continue with her film career, Connelly left college and returned to the movie industry the same year.

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Jennifer Connelly Nude Boobs – Mullholland Falls

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Modelling and early film roles

When Connelly was ten years old, an advertising executive friend of her father suggested she audition as a model. Her parents sent a picture of her to the Ford Modeling Agency, which shortly after added her to its roster.

Connelly began modelling for print advertisements before moving on to television commercials. In an interview with The Guardian, she revealed that, after having done some modelling, she had no aspirations to become an actress.

She appeared on the covers of several issues of Seventeen in 1986 and 1988. In December 1986, she recorded two pop songs for the Japanese market: “Monologue of Love” and “Message of Love”. She sang in phonetic Japanese as she did not speak the language.

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When her mother began taking her to acting auditions, a then 12-year-old Connelly was quickly selected for a supporting role as the aspiring dancer and actress Deborah Gelly in Sergio Leone’s gangster epic Once Upon a Time in America (filmed 1982-83, released 1984).

The role required her to perform a ballet routine. During the audition, Connelly, who had no ballet training, tried to imitate a ballerina. Her performance, and the similarity of her nose to Elizabeth McGovern’s, who played the character as an adult, convinced the director to cast her.

Connelly described the movie as “an incredibly idyllic introduction to movie-making”. While Once Upon a Time in America was being filmed, Connelly made her first television appearance, in the episode “Stranger in Town” of the British series Tales of the Unexpected.

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Connelly’s first leading role was in Italian giallo-director Dario Argento’s 1985 film Phenomena. In the film, she plays a girl who psychically communicates with insects to pursue the killer of students of the Swiss school where she has enrolled. Connelly next had the lead in the coming-of-age movie Seven Minutes in Heaven, released the same year.

Of her early career, Connelly said, “Before I knew it, [acting] became what I did. It was a very peculiar way to grow up, combined with my personality.” She described feeling like “a kind of walking puppet” through her adolescence, without having time alone to deal with the attention her career was generating.

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Connelly gained public recognition with Jim Henson’s 1986 film Labyrinth with David Bowie, in which she played Sarah, a teenager on a quest to rescue her brother Toby from the world of goblins. Although a disappointment at the box office, the film later became a cult classic.

The New York Times, while noting the importance of her part, panned her portrayal: “Jennifer Connelly as Sarah is unfortunately disappointing. … She looks right, but she lacks conviction and seems to be reading rehearsed lines that are recited without belief in her goal or real need to accomplish it.”

In 1988, she began work as a ballet student in the Italian film Etoile which was released in 1989 and portrayed college student Gabby in Michael Hoffman’s Some Girls.

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In 1990, Dennis Hopper directed The Hot Spot, in which Connelly played Gloria Harper, a woman being blackmailed. The film was a box office failure but Connelly was praised.

Stephen Schaefer wrote for USA Today, “Anyone looking for proof that little girls do grow up fast in the movies should take a gander at curvaceous Jennifer Connelly in The Hot Spot. Not yet 20, Connelly has neatly managed the transition from child actress to ingenue”.

During an interview with Shaeffer, Connelly commented on her first nude scene: “The nudity was hard for me and something I thought about…but it’s not in a sleazy context”.

The same year, director Garry Marshall considered her for the role of Vivian Ward in Pretty Woman, but ultimately felt that she was too young for the part.

Jennifer Connelly Nude Scene – American Pastoral

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Connelly’s next film was the 1991 romantic comedy Career Opportunities, starring alongside Frank Whaley. People magazine criticized the film for exploiting Connelly’s body.

The marketing included a life-size cardboard cutout showing Whaley watching Connelly ride a mechanical horse, with the caption “He’s about to have the ride of his life”.

In an interview with Rolling Stone, Connelly said that a Yale professor brought it to her attention and “… that wasn’t something I felt all that comfortable about”.

The big-budget Disney film The Rocketeer (1991) followed later that year but failed to ignite her career. She played Jenny Blake, the aspiring actress girlfriend of stunt pilot Cliff, “the Rocketeer”.

New York characterized the movie as “pallid” and said of her performance, “Connelly is properly cast, she has the moist, full-to-the-cheek bones sensuality of the Hollywood starlets of that period, but she’s a little straight”.

She appeared alongside Jason Priestley in the Roy Orbison music video for “I Drove All Night” the following year, directed by Peter Care.

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Connelly next appeared in Of Love and Shadows, a 1994 Argentine-American drama film written and directed by Betty Kaplan starring Antonio Banderas.

In 1995, director John Singleton cast Connelly as a lesbian college student in Higher Learning. She next appeared in the 1996 independent film Far Harbor as Elie, a prominent person in a Hollywood studio who writes a screenplay based on her traumas.

It was followed that year by the neo-noir crime thriller Mulholland Falls, which featured the murder of Allison Pond (Connelly), mistress of General Timms (John Malkovich), and the investigation by a group of detectives led by Maxwell Hoover (Nick Nolte).

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New York magazine wrote about a clip that reveals the link between Timms and Pond: “This footage is actually dirty. That is, it makes us feel like voyeurs when looking at it, but it’s so juicily erotic that we can hardly look away”.

About nudity in the movie, Connelly said: “It kind of shocked everyone who knows me that I wound up doing this movie because I had always been so careful about nudity, it was very much a part of this character and I couldn’t be coy or guarded or self-conscious – otherwise it wouldn’t work. It was sort of a challenge I wanted to take on, I guess”.

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Jennifer Connelly Nude Sex Scene – Walking the Dead

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She began to appear in small-budget films which did well with critics, such as 1997’s drama Inventing the Abbotts, set in the late 1950s, in which she played the part of Eleanor, one of three daughters of the town millionaire, Lloyd Abbott.

About her performance, co-producer Ron Howard, who would later direct Connelly in A Beautiful Mind, said, “She not only was beautiful and seductive but gave some difficult psychological moments in the film a lot of depth and complexity. She had an extraordinary combination of talent and beauty, and I guess I stored that information in the back of my brain”.

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Her next appearance was in the critically acclaimed 1998 science fiction film Dark City, where she played alongside Rufus Sewell, William Hurt, Ian Richardson and Kiefer Sutherland.

Connelly portrayed femme fatale Emma, a torch singer whose husband, John Murdoch (Rufus Sewell), suffers from amnesia. As Murdoch is regaining his memories, Emma is kidnapped by Mr Hand (Richard O’Brien) and The Strangers, who alter her memories and assign her a new identity. Author Sean McMullen wrote, “Jennifer Connelly is visually splendid as the 1940s femme fatale (Emma).”

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Dustin Lance Black’s Virginia premiered on September 15, 2010, at the Toronto International Film Festival. Two years later, it was announced that the movie would receive a limited theatrical release in May 2012.

Connelly portrayed the title role of Virginia, a mentally unstable woman who has a 20-year affair with the local sheriff, whose daughter then starts a relationship with Virginia’s son.

Connelly prepared for the role by watching documentaries on schizophrenia. She also spent time at the New York State Psychiatric Institute and the New York University’s Cancer Center to understand the afflictions and obstacles of her character.

While she was preparing for the role, director Dustin Lance Black requested Connelly’s advice to design the set of Virginia’s house, as well as the selection of the apparel to create the character’s style.

She described the film as a “very different” and “very personal” independent film. According to Cinema Blend, “Virginia is propped up by a strong central performance, with Connelly doing some of her best work in years”.

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In 2011, Connelly starred in Ron Howard’s comedy The Dilemma with Vince Vaughn. Although the Austin Chronicles review noted, “Vaughn nails it, and his nicely nuanced every guy performance is aided by the always-excellent Connelly,” the movie opened to generally negative reviews.

Variety remarked, “Connelly, though a shade looser and more spontaneous than usual, seems stuck at an emotional remove from the action”.

Her next project, George Ratliff’s Salvation Boulevard, premiered during the 2011 Sundance Film Festival. In the film Connelly played Gwen, the wife of Carl Vanderveer (Greg Kinnear), the couple are members of the Church of the Third Millennium, led by Pastor Dan (Pierce Brosnan).

During the same year, Connelly recorded an audiobook version of Paul Bowles’ The Sheltering Sky, which integrates the A-List Collection of, released in March 2012.

Her next project, starring alongside Greg Kinnear, was the family drama Stuck in Love, the directorial debut of Josh Boone. Connelly played the ex-wife of Kinnear’s character, with whom he is obsessed. The film was premiered during the 2012 Toronto International Film Festival.

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In February 2012, Connelly was announced as the first global brand ambassador for Shiseido, having previously worked with the company in the 1980s in a series of advertisements for the Japanese market.

On August 2013, it was announced that Connelly was cast by her husband, Paul Bettany, for his directorial debut Shelter.

Connelly had a role in the 2014 film adaptation of the 1983 Mark Helprin novel, Winter’s Tale, the directorial debut of Akiva Goldsman, alongside Colin Farrell, William Hurt and Russell Crowe, as well as starring in the English-speaking directorial debut of Claudia Llosa.. Cry/Fly.

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Working again in collaboration with A Beautiful Mind co-star Russell Crowe, she portrayed Naameh in Darren Aronofsky’s 2014 biblical epic Noah. The film opened to favourable reviews.

The Washington Post declared Connelly and Crowe’s performances “impressively grounded, powerful”, The Denver Post felt that Connelly portrayed the role with “fine intelligence”.

Variety deemed her appearance “solid but underused”, while Detroit News stated, “Connelly has too little to do, but when she lets go, she hits hard.”

Indiewire wrote that Connelly conveyed the role with a “steady hand”, while St. Paul Pioneer Press defined her interpretation as “compelling”.

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